Dreamcatcher: Ojibwe origin, history and cultural respect
The dreamcatcher originated with the Ojibwe (Anishinaabe). Its name, its legend, its spread in the 1960s and 70s, the debates about appropriation, and how to appreciate it with respect.
Key points
| People of origin | Ojibwe (Anishinaabe), Great Lakes region |
|---|---|
| Ojibwe name | Asabikeshiinh, the inanimate form of the word for “spider” |
| Other name | Bawaajige nagwaagan, “dream snare” |
| Legend | Asibikaashi, Spider Woman, protects children |
| Original function | A protective object hung above an infant |
| Broad spread | 1960s-1970s (pan-Indian movement), then commerce |
An object born among the Ojibwe
The dreamcatcher (attrape-rêves in French) comes from the Ojibwe, an Algonquian-speaking people also known as the Anishinaabe, who live around the Great Lakes in Canada and the United States. In their language it is called asabikeshiinh, the inanimate form of the word meaning “spider”; you will also come across bawaajige nagwaagan, translated as “dream snare”. Originally, it was a protective object for infants: a willow hoop woven with a net, hung above the cradle. This page is part of the dreamcatcher guide.
The legend of Spider Woman
An Ojibwe story features Asibikaashi, Spider Woman, who watches over and protects the children. The ethnologist Frances Densmore recorded elements of this tradition in 1929. According to the account most often reported, when the Ojibwe scattered across the continent, Spider Woman could no longer watch over all the children, so mothers and grandmothers wove webs to protect them. The net is meant to catch bad dreams; good dreams, depending on the version, pass through the central hole or slide down the feathers.
This story exists in several versions, which vary between communities and storytellers. We report it as it is recorded in ethnological works, without presuming to tell it in place of those to whom it belongs. Among the Lakota, one variant reverses the meaning: the web catches the good dreams.
How the object spread
The 1960s and 1970s saw the rise of the pan-Indian movement, which brought together Indigenous communities of North America around a shared identity. The dreamcatcher was then adopted by many peoples as a symbol of unity. The mainstream press took an interest in it in the 1970s (for example, an American magazine in 1977), and in the 1980s it was sold as a “Native American” craft object. In the early 1990s, it was one of the most popular and most commercialised craft objects.
Today they are found everywhere, in every size, often mass-produced far from their place of origin. Some “New Age” sellers offer versions that are very far from traditional forms, made from non-traditional materials.
One symbol, several readings
| Element | Common reading |
|---|---|
| The hoop | The circle of life |
| The web | Catches bad dreams |
| The central hole | Lets good dreams pass |
| The feathers | A gentle “ladder” guiding good dreams down to the sleeper |
| A single bead | The spider |
| Several beads | The bad dreams caught (according to some versions) |
These readings are the ones most often found in books and on websites; they vary from one community to another, and several details (beads, stones, arrowheads) are recent additions. Avoid colour charts or meanings presented as “traditional”: they are frequently invented for sale.
Cultural appropriation: what are we talking about?
Several Indigenous voices, or voices close to Indigenous institutions, have expressed unease about the commercial and decorative use of the dreamcatcher. In 2013, Cathy Burton, then education director of the Eiteljorg Museum of American Indians and Western Art in Indianapolis, refused to allow a dreamcatcher-making workshop as part of a project about Martin Luther King; she wrote that the object had been “diverted” from the Anishinaabe peoples of the Great Lakes region, and that hanging written dreams on it does not match its original protective role.
The debate is not fully settled. Some see appropriation, others a cultural exchange whose limits are open to discussion; it is worth noting that Ojibwe people themselves sell dreamcatchers. What the various positions share is respect, honest information and support for Indigenous creators.
Appreciating it with respect
- Learn: know where the object comes from, its original name and the meaning given to it by those who created it.
- Do not invent meanings: do not attribute to the object powers or rules that the tradition does not give it.
- Buy from Indigenous artisans if the origin matters to you: the simplest step is to ask the seller where the piece comes from.
- Avoid using it as a mere “decoration”: the object is not a neutral fashion accessory; some regard it as having a sacred character.
- Speak about it simply: say “dreamcatcher inspired by Ojibwe tradition” rather than “Native American” in general.
For making one yourself, see making your own dreamcatcher, keeping these points in mind.
No scientific evidence
The dreamcatcher is a symbolic and cultural object. No study shows that it changes dreams or sleep. Many people appreciate it as a decorative object, a reminder of nature or a gift for a child. That value is real, but it has nothing medical about it.
To go further: the meaning of the dreamcatcher, materials, feathers, beads and colours, and where to hang it and how to care for it. Our dreamcatchers are in the dreamcatchers section.
Frequently asked questions
Where does the dreamcatcher come from?
From the Ojibwe (Anishinaabe) of the Great Lakes region. Originally it was a protective object, hung above an infant.
What does “asabikeshiinh” mean?
It is the Ojibwe word for the dreamcatcher: the inanimate form of the word for “spider”. It evokes the woven web.
Is it disrespectful to own a dreamcatcher?
Opinions vary. Many Indigenous people mainly ask for respect: learn about it, do not invent meanings, and support Indigenous creators where you can.
Does a dreamcatcher really prevent nightmares?
No evidence shows this. It is a cultural and symbolic object, not a medical device.
Do all Indigenous peoples use the dreamcatcher?
No. It comes from the Ojibwe, then was adopted by other peoples in the 1960s and 1970s, sometimes with different meanings, as among the Lakota.
Also read
The meanings mentioned belong to tradition and symbolism. They are neither promises of results nor medical advice. Back to Guide to dreamcatchers.
In the shop
Dreamcatchers, wind chimes and mobiles: our products
Brush-painted wall hanging with a mandala and feather dreamcatcher, cotton, approx. 78 x 112 cm
24,90 €
Cotton wall hanging printed with a dreamcatcher, bright colours, 78 x 112 cm
18,90 €
Recycled glass wind chime on a driftwood branch
36,90 €
Recycled sea glass wind chime on driftwood
59,90 €
Polished recycled glass wind chime in long strands under driftwood
30,90 €
Driftwood and rainbow capiz leaf wind chime, three shapes
30,90 €
Driftwood and dyed capiz shell wind chime, strands of coloured discs
27,90 €
Coconut shell and capiz shell wind chime
24,90 €